{"product_id":"soundtrack-the-lost-boys-cd-used","title":"Soundtrack \/ The Lost Boys - CD (Used)","description":"\u003cp\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Various Artists\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFormat:\u003c\/b\u003e Soundtrack\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRelease Date:\u003c\/b\u003e 21-09-1987\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDetails:\u003c\/b\u003e Product Description Various Artists Amazon.ca Director Joel Schumacher, who went on to helm many big-budget, tiny-intellectual movies, gave us an 1980s update of the story of the vampire. It was all hip, good-looking, and tremendously vacuous. Similarly, the music doesn't break any new ground or offer much that's timeless. INXS' collaborations with Jimmy Barnes are fine, for instance, but Foreigner vocalist Lou Gramm's \"Lost in the Shadows (The Lost Boys)\" verges on the painful in a way that only overwrought 1980s music can. Roger Daltrey's take on Elton John's \"Don't Let the Sun Go Down on Me\" is by the numbers, and so wasted. It's only Echo and the Bunnymen's cover of The Doors' \"People Are Strange\" that warrants much attention, even if it's, erm, buried. -- Scott Wilson\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUPC:\u003c\/b\u003e 075678176722\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eEAN:\u003c\/b\u003e 0075678176722\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLanguages:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBinding:\u003c\/b\u003e Audio CD\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eItem Condition:\u003c\/b\u003e UsedVeryGood\u003c\/p\u003e","brand":"ID Shop.ca","offers":[{"title":"Default Title","offer_id":51461005181225,"sku":"Z4-HOL8-A265","price":5.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/6225\/6681\/files\/51IIKtTOyfL.jpg?v=1762032563","url":"https:\/\/konnichiwa.ca\/products\/soundtrack-the-lost-boys-cd-used","provider":"こんにちはマート | KON NICHIWA MART","version":"1.0","type":"link"}